n1ckn4m3

The problem is that the DMCA is a flawed piece of legislature that hamstrings fair use in a couple of really key ways.

Obligatory IANAL, but my read on the (admittedly very legalese) section 1201 (https://www.law.cornell.edu/uscode/text/17/1201) is that it lists a very few exemptions for what is allowable under the DMCA with regard to bypassing copyright protection mechanisms, and archival copies of personal media are not in that list of exemptions. Archival use of computer programs is covered under section 117 (https://www.law.cornell.edu/uscode/text/17/117) and it allows you to make a bit-by-bit copy of your media for archiving it. It doesn’t allow you to bypass copyright protection mechanisms that exist on that content.

So, you’d be protected if you were making a 1:1 exact cloned (and therefore, encrypted) copy of your switch game. Any action to decrypt that switch game (because the encryption is explicitly a copyright protection mechanism) would be a violation, whether it be you doing it manually with a tool, or an emulator doing it on your behalf. If you move that violation outside of the emulator, I would think that based on how the law is written they’d have to find some other way you were violating the DMCA with the emulator specifically in order to target it.

Ultimately, I think the reason it’s illegal is because the DMCA is corpo crap that has been bastardized several times over to reduce consumer rights, but the lawyers seem to wield section 1201 as the silver bullet.

Emulation is legal but emulators that circumvent the DMCA in order to function are not. Yuzu and Ryujinx both decrypt encrypted Switch content using prod keys and title keys in order to execute it. The act of decrypting switch games in real-time using those keys is a violation of DMCA and is illegal (in countries that care about the DMCA anyhow). Having code in your emulator that CAN decrypt the Switch content can be viewed as a DMCA violation as well, even if it also supports unencrypted content.

Based on that, it seems like all we need is for Ryujinx/Yuzu/some other switch emulator that hasn’t yet been sued by Nintendo to be built in a way that it requires decrypted copies of the software and they could then argue that the person who violated the DMCA was the person who released the decryption tool or the teams that release decrypted versions of switch software.

Seems like if the developers remove the need for the emulator to use prod keys or title keys and they can remove the primary DMCA violation that is being weaponized against these emulators.

Sure, but it had an offline mode and had a base level globe that was downloaded when the game was installed that you could use immediately and didn’t require live cloud connectivity in order for basic functionality to work. Additionally, it allowed you to pre-download large chunks of high detailed land for offline use as well.

Precisely this – I don’t remember anyone complaining that the FS2020 install size was too large, even if its install size was the butt of a few good-natured jokes. They’ve solved a problem that didn’t exist and in doing so have turned FS into an always online internet-connected live service instead of a game. I’m not touching this game with a 40 foot aileron until an offline mode of some quality exists.

IANAL, but from what I read regarding Yuzu / the title and prod keys / etc., is Nintendo’s argument is three-fold – the only way to obtain those keys is to use a tool that itself is a violation of the DMCA, use of those keys by an emulator to decrypt Nintendo’s protected content in a method outside of Nintendo’s authorized use is a violation of DMCA even if the keys aren’t provided in the emulator, and there is no legitimate use of those keys except to circumvent controls intended to protect copyright.

Therefore, by their argument, any emulator that can use those keys would effectively be subject to DMCA even if you had to bring your own keys, because unless the emulator only ran homebrew or completely decrypted content and had absolutely no decryption capabilities, you’d still be using the prod keys and title keys to decrypt content in violation of the DMCA in order to execute it. So, the tool that dumps the keys is a DMCA violation and any emulator that uses those keys to decrypt protected content in order to execute it is a DMCA violation, and Nintendo has a strong case that the actual keys themselves are only useful for making unauthorized copies of content that bypass the encryption that exists to prevent it.

It stands to reason that a clean-room developed Switch emulator that required all content it ran to be decrypted prior to being able to run it may be able to exist without Nintendo shitting it into non-existance, since Nintendo couldn’t make any argument that the primary use was a DMCA violation as no encryption would be being bypassed by the emulator. They’d probably then go after whoever made the tool to dump the games, but they’d probably be less successful.

On the other hand, the pragmatist in me says that unless I was 500% sure of my online anonymity, I wouldn’t want to pick a fight with Nintendo – even if I thought I was right. They have enough money to lock someone up in legal battles for a very long time and most independent developers wouldn’t have anywhere near the finances required to bankroll appropriate defense counsel. Can’t say I’d blame people for not wanting to invite that hellscape into their lives.

Trigger haptics can work on PC but it is game by game/implementation by implementation. Returnal works when connected via USB but not wirelessly (unless you enable Steam Input for DualSense, but that completely removes haptic trigger capabilities, turns the touchpad into buttons, and switches to Xbox button glyphs), but Ratchet & Clank works wired or wirelessly (without Steam Input enabled for DualSense). The DualSense support on PC is kind of hit or miss, I wish they’d just standardize a library that offers the base features wirelessly – the controller is really nice.

User reviews are suspect.

This is one of the reasons I’m glad that Steam started cracking down on reviews that were just some stupid ASCII art and reviews that were just one big joke – neither of them help people understand whether a game is good and there’s just so much of that trash in the reviews. It’s a small change but so far it’s been positive.

I’ll believe it when I see it. I’m running a 10900KF running at 4.2GHz with a 4090 and spinning in a circle on Koboh still drops my FPS to 10-12 from ~110-120 (even with RT fully disabled, since the implementation of it in this game is hot garbage). This game was the straw that broke the pre-order back for me, haha. I played the original on PC and loved it – was surprised as hell to see the sequel have so many problems that the first didn’t.

I think it’s stupid as hell for Square to have not released this on PC at the same time as they did on PS5, locking to a single console is a poor choice especially when that console is as expensive as the PS5 is and has as few exclusives as the PS5 does.

With that in mind though, “a single game” is somewhat of a misnomer. The original FF7 took about 40 hours to play from start to finish, and about 80 hours if you wanted to really 100% everything. FF7 Remake took about 40 hours to play from start to finish, and about 80 hours if you want to really 100% everything.

Is the root of your concern that you’re paying too much for too little gameplay? Considering rebirth takes about 50-60 hours to beat and ~80-100 hours to 100%, I don’t understand the criticism.

If the answer is that you expected over 100 hours of base gameplay for $70, the problem isn’t with Square-Enix, imo. That’s before taking however long the 3rd game takes to beat into account, as well (which according to the devs is going to be at minimum the same length as rebirth – bringing it to over 150 hours of base gameplay for the trilogy.) I think expecting 150 hours of base gameplay in a single purchase for a story-driven JRPG is unrealistic. The only JRPGs that come close would be Disgaea and Persona 5 Royal, and I’d argue that the production costs on both of those are significantly lower because of their art style and the way that story is presented in both.

That said, on flip side, the joy of these games eventually coming out on PC means if you wait long enough, you’ll be able to get all 3 and DLC for like $50 total, so there are options for everyone.