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Joined 2 years ago
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Cake day: June 13th, 2023

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  • Yeah, it feels like the entire time he’s really trying to link these games to actual deaths during war that seems pretty tenuous, largely due to his own “ick” factor that “his thing” is being used by the military.

    The section in the middle where he essentially asks all his interviewees basically “have you killed anyone” is pretty awkward. Like, of course these people don’t really want to talk about that. Nobody wants to go around thinking they’re directly responsible for preventable deaths. It’s like he wants someone to just say “Am i the baddie?” like that Mitchel and Webb sketch.

    It also completely glosses over the way that “play” is often just training for something more violent. Tag is a fun game until someone brings a knife. But there’s a world of difference between “you sunk my battleship” and the Bismarck. It’s like he’s somehow taken the stance that video games cause violence in the most roundabout way possible.

    It’s a shame because the video is good but it could be so much more interesting diving into examples about how these games actually work and are used instead of hemming and hawing the whole time over his imagined Cluedo to murder piperine.






  • Custom keyboards took off because of mechanical switches. Back in the day people wanted mechanical switches because they last longer than membrane ones, and so you wound up with a bunch of companies producing relatively easy to manufacture mechanical switches. Those switches all felt and sounded a little different so you got people who wanted a specific feel and sound and it grew from there.

    There hasn’t really been the same push with mice because even really cheap ones work really well. Optical sensors are way harder to produce than key switches, and while there are a few different ones on the market other than dpi and polling rate they kind of all act the same - it kind of either tracks right or it doesn’t. There’s no differentiation unlike switches that are “tactile” or “linear” or “scratchy”. And because of size restrictions you can’t really have the same kind of switches as keyboards use for the buttons. And unlike the really niche keyboard people who do their own PCB and machine their own case, making a good mouse on your own from scratch is way more difficult. They’re weird shaped and it’s much more difficult to change things like optical tracking algorithms compared to macros on a 40% keyboard. You can do a run of 100 super niche keyboards and make it work, but just the injection molds for one mouse mean you need to make 10000, which stops it being a project and makes it a business.

    There are premium mice manufacturers, but in general they either are going super light, super ergonomic, or super functional - and honestly they have a hard time competing with a company like Logitech that can produce really similar features for a fraction of the cost and have a decent reputation to boot.


  • I believe you can change the scaling algorithm obs uses? Right click the source and go to “scale filter” is what Google is telling me, not at a computer right now. I think it defaults to bicubic which should be ok though? The switch does its own internal scaling a lot of the time and that can look pretty bad though, but unless you get into some serious shenanigans that’s basically baked in.



  • We use a few Schlage connect zwave deadbolts, and they have been basically rock solid. We’re using them through Smartthings, but home assistant should work just as well. We have hardwired zwave light switches next to all of them, apparently that can help with the reliability since they will act as zwave repeaters in case the lock doesn’t pick up the signal first time - especially for changing the codes.

    Are they a perfect lock that no one will be able to pick? Probably not, but it’s a lot faster to just put a brick through your window no matter how good your locks are.




  • I had a similar problem recently. I switched to a titanium heat break since I apparently have a habit of tightening the aluminum ones a bit too hard, and it was fine for a while but I started getting clogs basically every print at about the 10 minute mark that seemed like heat creep. I couldn’t figure out what the deal was since titanium should be even better about heat creep.

    It turned out that the machining for the heat breaks might have been too rough I think? Or at least not “perfect” in some way. I had a ton of problems until I “seasoned” them with mineral oil. Basically throw a couple drops in the heat break with it at about 250. Obviously be very careful since it’s flammable. You could probably accomplish something similar with an old school filament oiler.



  • To be fair I’d call it a wash. Bedrock fixes a lot of weird stuff like quasi connectivity and being able to push things like chests with pistons but also introduces it’s own bugs like weird timing things and randomly taking fall damage. There’s also weird differences like being able to do things with cauldrons or just like minor texture differences that they are slowly bringing into sync.


  • Because Bedrock runs on phones, tablets, consoles, and a host of other random crap, and does so relatively well. Because of that the install base and playtime especially among younger players is actually massively skewed toward Bedrock being the more used. Add to that rumors that the Java codebase at least was a terrible mess, and the performance issues Java edition still has to this day and it’s no wonder they wanted to do a full rewrite, especially after having to make things like the console editions and even one for the 3DS.

    The windows launcher is annoying though.



  • I think it’s a conflation of the ideas of what copyright should be and actually is. I don’t tend to see many people who believe copyright should be abolished in its entirety, and if people write a book or a song they should have some kind of control over that work. But there’s a lot of contention over the fact that copyright as it exists now is a bit of a farce, constantly traded and sold and lasting an aeon after the person who created the original work dies.

    It seems fairly morally constant to think that something old and part of the zeitgeist should not be under copyright, but that the system needs an overhaul when companies are using your live journal to make a robot call center.